Friday 30 May 2014

Self Evaluation form

NORWICH UNIVERSITY OF THE ARTS

UNDERGRADUATE STUDIES

STUDENT SELF-EVALUATION FORM


Nathan Mison
                                                                                                                                                      
Student Name:

BA6 : Contexts: Collaboration, audience and employability

Unit title, number & credit rating:          

Jill Rodgers & Visiting Tutors
Tutor(s) Name(s):

27/05/14
Date:                                                     


Please think carefully about how well you achieved the Learning Outcomes for this unit and write down your strengths, weaknesses and opportunities for future development for each one.
1.   LO9: Demonstrate an understanding of a wide range of applications for your work, including the workplace context for your subject practice.

Strengths: Whilst the progress on my project has developed, so has the intended use for my final designs. Through my Pinterest account it is clear that my visual research is focused around the interiors market, researching both high end and high street designs, keeping in touch with the latest colour trends and design styles. The intended focus for my final designs are based on the high end, more bespoke areas of interior design, aiming for the more handmade touch with a feeling of quality. This intended outcome has been influenced by my continuous contact with the art and design world through exhibitions, my work placement and trade shows. Each of these different areas of primary research have pushed my work and my mind set away from the more commercial repeated vintage floral patterns which are so prevalent, focusing more on an emerging trend of bright and bold shape and pattern based on a influence from 1980s design, looking to create designs which not only reflect this, but also aim to create works of art as well as useable interior design fabrics.

Weaknesses: I think my weaknesses in the context of my work relate to my efficiency to develop an idea and push that through, thinking about its use in the interiors market, my intended focus at the beginning of the project. This however, is a difficult idea to follow when you consider all the work and opportunities I have had during this project. My placement, primary and visual research has continuously influenced the development of my work, making it impossible to stay focused on one area of the design market. I like to think my context has developed and has become more concentrated, allowing me to develop and tailor my work as I progressed from sketchbook onto the A2 boards and sampling. Basically, I think I could have been more focused with the context of my work a little earlier, so I can start thinking about the final ideas earlier.

Opportunities: I learnt, through the course of this project, the importance of being involved in the wider design industry and how important it is to our work. This is a world that we are going to very soon be entering, so we need to keep up with ideas. For the future, I would like to be more organised in primary research through exhibitions and trade shows. I would like to have a course of visual research which follows the course of the project, because I only realised the importance of this towards the end of BA6. In the next project, I would like to have researched places to visit, so I do not miss anything which may be relevant.

2.   LO10: Use a range of strategies to articulate and extend the limits of your subject and contextual knowledge.

Strengths: My work placement, although completed towards the end of BA6, has contributed to its development and the change in its course. My placement, at Smiths Row Art Gallery, was ‘office based’ mainly research and gaining contacts. Although there was not a specific design element, which I did miss, this did pointing out to me the importance of me, displaying myself as an artist, be this how I present myself, an online presence, or my work. This placement has affected my work a little, but I feel it will be more useful in the future of my work, next year. As I completed the work placement towards the middle of BA6, everything I learnt is hard to put into action straight away. I have used my blog as effectively as I can to put my written skill to best use and I hope to employ the skill I have learnt to my dissertation in my third year. I have also realised the importance of the presentation of my work. Looking at the gallery exhibitions has made me re-think how I develop my work, and there is evidence of this in the progression out of my sketchbook. Moving out of the sketchbook onto boards has allowed me to experiment further and focus my ideas and the progression further.

Weaknesses: I enjoyed my work placement at Smiths Row and learnt a great deal about what goes on behind the scenes at an established art gallery. Although I am glad of the experience, I do not think it will be a part of the design industry that I will be joining because of all of the computer based work. I like the mix between the research and design, but I am glad that I have found this out now. Having said that, I have experienced a great deal which can help with my work in the future. I would like to have had a better placement in place, to gain more understanding of perhaps the more design based or commercial aspects of the design industry. This would be down to time management, but due to my circumstances, illness, appointments and time off made it impossible to organise anything in advance. I was only able to complete the placement after I had the all clear from the hospital, which although I had an extension, made it impossible to organise anything. Getting everything sorted in advance would help to know in future. Because my placement was conducted so late on in the project, I did not have much time to think about its role. I know understand it was hugely beneficial to the way I think and how I produce work, that my current way of working is too structured, I need to be more free and let the work take its own course.

Opportunities: Following this placement, I would like to complete another placement to gauge more understanding of different areas of the design industry. Whilst in conversation with the gallery manager, she mentioned an interior design business in Norwich who would be really willing to take people on for placements. Design House Norwich is a specialist furniture and design shop in the heart of the city centre aimed at high end interior design based around client’s needs. I would very much like to contact this business to secure a placement with them, to gauge a different area of the design world. This is something I am to act upon when I have handed in BA6, to contact them well in advance to sort something out.

3.    LO11: Demonstrate your ability to negotiate, plan and, where appropriate, work collaboratively to meet specified goals.
Strengths: Due to my Illness and absence from university, my first draft of my learning agreement, completed at the beginning of the project, was not an up to date version. In response to this learning objective, I completed a second draft of the learning agreement, taking into consideration my time off university and my proposed extension to the project. Whilst off, because of illness, I completed a large amount of drawing and visual based research which was beneficial as a stead basis to the project. This work, although helpful, did not show any progression, even when I had moved into the second sketchbook which was meant to be based on sampling and development. When I returned to university, I had realised I had a great deal of work to do, so I began working out of the sketchbook to develop my ideas further, narrowing my ideas to a couple of motifs and by colour scheme, focusing on design from the 1980s. From here I realised that my work was not reflecting everything that I was learning so well, so I began to focus more on print and stitch further, exploring the two techniques to prove through my sampling that there was a development to the way I was thinking and working,

Weaknesses: I found it hard throughout the project to stay motivated. For the first time in my time at university I was enjoying the drawing side of the work, playing around and just experimenting, but I realised that I had still not quite got the hang of things. I was spending my time drawing then moving on drawing then moving on, I was not exploring an idea thoroughly. Although when I was told this by my tutor, I was annoyed that I thought I still did not understand what university wanted of me. However, through this project, I realised something amazing, that I am creating my own university work for me. Yes meeting the deadlines and completing work is important, but I now realise that I am doing this for myself. For the first time this project, I was beginning to enjoy my progression, creating a variety of work, having fun experimenting. Towards the end of the project, this began to click, when I moved onto the A2 boards, working out of the sketchbook and developing my ideas with less a focus on the deadline, just allowing my work to flow. I only wish that I had realised this earlier, I felt a huge weight lifted off my shoulders when I realised this. Now, with this understanding, I know that my grade for this project is not going to be a high one; I noticed the signs just a little too late and did not act upon my thoughts as they came to me. However, I can guarantee that as I move into my third year, I have learnt a great deal and I hope my tutors will see a great change.

Opportunities: There is always an opportunity to explore and develop further. The key again as usual is time management. Moving into my third year I recognise the importance of focusing a project on something I have a passion for, allowing myself to explore something I love and have fun while I am doing it. In Ba5 I did not have a passion for the connection between knitting and architecture, I have learnt from that in this project, looking into nature and using it to create patterns. I must choose my focus wisely to gain a connection. I will naturally complete more work if I enjoy the focus of the project, allowing myself not only to complete more work, but also more focused and developed work.


4.   LO12: Identify areas for personal and professional development and propose plans to acquire further skills.
Strengths: Probably one of my weakest areas of this project, due to the distinct lack of technique experimentation and development. Because of my time away from university, I have not been able to experiment as much as I would have liked, but I must point out that I have fallen back in love with machine stitching. Whilst at school, I used machine stitching a great deal and had fun experimenting, creating detailed designs. For some reason when I started at university, I jumped straight back to printing. Whilst I enjoy printing, I think it is more mixed media that I have more of a passion for. I like combining the materials and techniques to develop more textured design, exploring other senses, not just sight, a visually pleasing design. I have used this in this project and have found that this is a skill that I would like to bring back into future work to develop further. Although I have not developed one specific skill, I have finally found my focus for university and shall look forward to using this in my work more In the third year.

Weaknesses: Due to my time away from university, I did not have access to the materials and techniques at home. This obviously limited my development of specific skills in terms of textile technique, but this is no excuse. I did not take the opportunity to get back into the workshops and take advantage of the university provisions in enough time. Once I was informed of the lack of progression in the project, I made a swift decision to get into the workshops, explore photoshop and make full use of university facilities. I now understand the importance of these facilities to develop my work and designs quickly and efficiently, allowing me to experiment and explore within the boundaries of my chosen subject matter.

Opportunities: Now I have looked into a range of techniques throughout my time so far at university, I have now decided that I have a focus, I have a point for university. I must now grasp every opportunity at university as well as outside university, to develop my ideas and skills to create more professional design which are more useable in the design industry. I must manage my time more effectively to make the most of every minute I have, be it in a workshop, on a project or completing some research, using everything I have, bringing it together to create more informed work. It is important to look over this project again at the start of next year, so I can see the progression I have made and move forwards, not backwards.

Overall Action Points: (to be discussed and agreed with tutor)






Signed (Student):................................................ Signed (Tutor):.................................................. 

Learning outcome for evaluation

Learning Outcome How you will be assessed:
LO9: Demonstrate an understanding of a
wide range of applications for your
work, including the workplace
context for your subject practice.
.
We will be looking for evidence that you
have considered and understood the
context of your own work.
LO10: Use a range of strategies to
articulate and extend the limits of
your subject and contextual
knowledge.
We will be looking for evidence of the
organisation of your placement or work
based experience, reflection on what you
have achieved and how this has informed
the development of your studio work.

LO11: Demonstrate your ability to
negotiate, plan and, where
appropriate, work collaboratively to
meet specified goals.

We will be looking for evidence that you
have negotiated and completed a work
based project or placement and achieved
the goals that you set in your learning
agreement.
LO12: Identify areas for personal and
professional development and
propose plans to acquire further
skills.

We will be looking for evidence of
planning skills and how these impact on
your practice.

Tuesday 20 May 2014

Individual tutorial


In my individual tutorial today, I took the opportunity to share my plans for my 4 final designs to one of my tutors. She said that although everything I was doing was good, that I could probably do it all with my eyes closed. She wants me to take what I know and experiment with it to further my knowledge and learn new ways of working that I hadn't thought of.

She suggested that my work is missing the fun and playful element that shows I have experimented a little, even if things do go wrong. To do this, I now must think about photocopying my sketchbook drawings to play with composition and give me ideas for samples. I can take pictures of the prints that I have completed, but I now must take the opportunity to use my stitching skills to work bAck into them and develop them further.

Focus on hand and machine stitching, creating textures, layering and lots of colour!!

I have to admit that unlike usual, I don't feel that worried coming out of the tutorial. Normally I stress about not k owing where to begin, but I am seeming now just to take it in my stride, and see where these new ideas take me.

Monday 19 May 2014

Printing

Instead of enjoying the sun today, I was doing some hard graft in the print room. After my tutorial, which was halfway through my day of printing,I still wanted to experiment in the print room, with the intention of working back into my prints afterwards. I used both of my screens to play with colours and composition, and used the discharge dyes, which I loved!!

With my previous prints, I layered them all up and the colours just got darker and darker, but with the discharge dyes, I was able to take out some of that muddy colour creating a much lighter and lively design.

Monday 12 May 2014

Photoshop workshop

At university today, we had a photoshop workshop based on the creation of repeat designs. We created a leaf design using these drawing tablets, which were extremely difficult and strange to use as it was difficult to draw and watch what you were doing on the computer screen. it felt unnatural, I much preferred using the mouse!!

We created the design, hand drawing it onto the computer. Then we played around with the design, varying the size, colour and rotation of the design. We then looked into creating a paint brush of the design so we could quickly paint a design onto photoshop. We then used the ideas from last weeks photoshop workshop to create a tiled repeat. This was a great deal harder than I first thought, it took a little while to develop a repeat without any overlapping motifs.

Displayed below are some of the repeat design I created in the workshop. I aim to use these in my own work, perhaps getting them digitally printed and working into them.



Sunday 11 May 2014

London Trip - 11th May

From my work placement at smiths row, I was given a ticket to go and see 'collect' in London. As this was a £30 ticket, I thought I had better use it!! So I took a trip to London today to see the show and managed to squeeze in a look around both of the Tate galleries.

First I went to the Tate Britain. Although I do not really like looking around art galleries, I really enjoyed the experience. There were a number of pieces which stood out to me because of the artists bold splashes of colour which brought the paintings to life. At the gallery there was an curated exhibition by...... This was a huge space cup of large scale sculptural piece made from everyday DIY materials including wood, foam, nails and paint. Although not exactly linked to textiles, I think I would like to bring these ideas into my own work. I always try to experiment with materials and push boundaries through their uses.

After the Tate Britain, I headed to the 'collect' exhibition, set up by the craft council. I had not realised before, but he ticket I had was a VIP one, so I had a personal tour of the exhibition which was around the saatchi gallery. The exhibition included a variety of small companies and specialist art galleries based around the subject of craft, ranging from pottery to jewellery more textile ideas, exploring materials and fabric. Although I was unable to take photos inside the gallery, I did write down a few names that I would like to explore further. The exhibition, although not all textile based has taught me the wide expanse of the craft industry and how my ideas can be used in a variety of different ways.

Following this exhibition, I am really excited about the clerkenwell design exhibition in a few weeks time!!

I also went to the Tate Modern. This however, was not as successful as my other trips, it was really busy and by this point in the day I was exhausted. To make it worse I wanted to see the Matisse cut outs exhibition, but it was sold out for the rest of the day. 

Never mind I have a full packed day where I have gained and great deal of new ideas and fresh visual research. 

Friday 9 May 2014

Another thing to add to the list!!!!

Placement Presentations


Presentations will take place from 9.30 on Thursday 29th May and Friday 30th May in DS1.

Your presentation will be for 10 minutes and should describe your experiences in organising your placement and what you learned from working outside the University. I would like you to show images of the organisation or individuals work, and describe how you contributed to their practice or daily routine. If you have examples of real work that could be passed around please bring that too. If you did more than one placement please describe both and compare your experiences, or choose the one you felt has the most positive impact on your practice.

Make sure you emphasise your reflection on your experience in your presentation and describe how you have used what you have learned and how you can build on this next academic year in future projects.

This is an opportunity to share with your peer group your experiences and for us all to recognise what has been achieved by the group.

Your audience will be a small group of year 1 students about to embark on the same path. I will invite questions from the group at the end of your presentation. You will only need to attend your particular session although you are welcome to attend more if you like. Your time slot will be on the VLE nearer the time.

Please begin to prepare your presentation and send them to c.bayliss@nua.ac.uk by Monday 26th May 4pm. This will ensure I have all the presentations ready in one file and we can make a punctual start and move smoothly from one person to the next

As a guide here are the basics you need to cover.

Where did you go: Name of company.
Type of practice or company (What do they do?)
How did you go about organising your experience?
What did you do on placement?
How did the experience impact on your practice?
What did you learn.
On reflection would you do anything different?

Please e-mail me if you need any further info.

I am really looking forward to the day and seeing all the things you have achieved.

Jill




Following an individual tutorial...

Nathan Uni
Fluorescent yellow machine stitch.
Display fluorescent machine stitch and stitched bag onto A2 board.
60s Images on Pinterest
Wash out prints & present 2.
Label for 1st sketchbook
Cut away leaves on print and machine stitch back on & present
Sew and Cut away shapes on yellow print & present
Create a repeat for the tulips print on photoshop.
Complete a large paper cut away of photoshop repeat of tulips.
Create another textured machine bark sample
Cut into texture machine bark sample & present
Cut into green felt and attach contrasting fabric to back & present
Large drawing of ripped flowers & display
Re-create ripped flower using stitched ribbon. & display
Drawings of leaves & present.

Large paper cut of bark sample and present

4 boards complete
12 Boards Planned

12th May
8-6
Workshops, Book print room, hand in digital prints?, book CAD?, hand in screen acetates
19th May
8-4
Print room?, Book Print room, Cad?, Laser cutting???
23rd May??
8-4??
If needed print room??
26th May
8-4
Print room, Cad?, Laser cutting???
28th May
9-12
Finishing off.
PLANNED HAND IN EARLY!!!

Individual Tutorial

After my individual tutorial, i think it is safe to assume that i still have a way to go before my work is of the standard needed for the uni tutors.

My tutor looked through my work and said that in terms of the drawing side of this project, i have done really well, that if i were in first year i would have a very strong portfolio of work. However, i am not in first year and must concentrate now more on the refining and developing my ideas into professional looking patterns and designs. From my drawing i have a lot of motifs, but my work doesn't show a development of any particular techniques. In order to obtain higher marks i must experiment with more and add more to my work so it is more technically difficult, displaying a high level of skill.

I need to sit down later today a d go through my whole body of work, creating a extended list of work that i have to do for the deadline. This way i will know what needs doing, and how i am going to focus. Over the weekend i want to put my photoshop skills to use to create some designs which i can digitally print then work into. I think i might also play around with creating some simple ideas for experimentation with the laser cutter or screen-printing.

My aim is to on Monday, 
hand in the digital prints to be printed
Book time in the print room
Perhaps book laser cutter of cad machine.

Wednesday 7 May 2014

Print room antics

I popped into uni today to get on with some printing, moving forward some of my ideas into print. Although I can't say I found it easy, but I managed to stock to the colour scheme, using brighter and bolder colours.

At this moment in time, I am little concerned about the layered prints I had created. These were created with the stencil, I completed to colour ways, orange and blue And yellow and green, but when I printed the colours over each other they came out very dark, almost black!! As this doesn't fit into my colour scheme well, I hope they lighten up after being steamed and washed.

Now I have completed these prints, I want to stitch into some of them. I now think I need to develop more of a repeat pattern for one of my stencils, but I still want to carry on experimenting and developing my ideas.

Tuesday 6 May 2014

Work Placement Report - 1st Draft

Ba6 Work Placement Report – Smiths Row Art Gallery
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As part of my thinking behind the purpose of our work placement for BA6, the key idea I wanted to gain was as much information about the design world as I could. This maybe a sector of the market that I could soon be entering, and as a result, I felt that having a wider placement would allow me to make more informed choices.
Whilst researching the different placement opportunities that I could undertake for this part of the project, right from the start I was clear in my thinking. The placement must be able to offer me the most in terms of learning for the amount of time I spent there. The placement would be short, but I wanted to get a lot out of it. Because of the placement, I would be missing valuable contact time out of this important project, so I had to make sure it was interesting and worthwhile. In response to these criteria, I therefore looked for a placement that was able to offer me a wider view of the design world. Where better than an art gallery, offering me a peek into the artist, designer, curator and teaching side of textiles.
Personally, I am unsure of my path after university, torn between teaching and design work, so I thought that if I could get a placement which offers me a glimpse into both workplaces it would be more beneficial for me. For this reason, Smiths Row was an amazingly positive choice with a clever balance between the workshop, tutoring side to the business as well as being an established art gallery. It was a placement that could offer me the best of both worlds.
Smiths Row is an art gallery in Bury St Edmunds, based on the concept of exploring contemporary art and bringing it to the local community. Although it is small gallery, they have a wide variety of exhibitions supporting which aim to support the local art and design industry as well as introducing new and upcoming artists.
In the wider area, Smiths Row is well known for its learning and workshops, with an aim of connecting the community to the art. There are regular talks by established artists, and the team often run workshops in schools in the local area. The team at Smiths Row are always open to lend a helping hand with their vast knowledge of their areas of art specialism, helping inspiring and well as established artists to develop their work and support them through funding processes and areas of further learning. Their artist surgeries and one-to-one tutorials are a well-established part of the local community. “One-to-one surgeries for artists to talk through their artistic practice with one of the Smiths Row team to receive critical feedback and discuss professional development” - Smiths Row Website.
The Gallery has a vision to bring contemporary art to the wider community. The Gallery offers a form of escapism from the industrial mind set of our work centred economy, where people work and sleep. The purpose of the artwork is to break this cycle and to evoke feelings and interpretations which bring something new to the viewer’s mind set.
As an art gallery, Smiths Row makes their business through the sales of artwork; however most of the gallery’s work is funded through the Arts Council. Artists have to pay to display their work in the gallery, a great form of advertising for local artists. However, a large bulk of Smith Row's business is from their workshops and shop, which largely pay for themselves. The shop at Smiths Row, contains a large variety of handmade objects, prints and artwork from local artists. Smiths Row is well known in the local community for these connections to the sales of local artwork and crafts. "Our contemporary Craft Shop showcases affordable work by the very best British makers, including ceramics, jewellery, textiles and printmaking, alongside artist-designed cards and wrapping paper." - Smiths Row Website.
As a local art gallery, Smiths Row is greatly publicised in the local and wider community. Their many exhibitions are advertised in the local paper, through flyers and on their website, http://www.smithsrow.org/,  which even contains an exhibition list for the whole year. As a public service, funded partly from the local council, art gallery’s exhibitions and workshops are always well advertised.
Smiths Row prides itself for the promotion of contemporary art is the east and work both with artists and the public the help to make art accessible to everyone. In this sense, the art gallery is extremely successful with its wide variety and extensive list of exhibitions. However, I also think that the gallery is successful as a business too, generating profits through their services both to artists and students alike, selling work and providing tutorial style surgeries for aspiring artists.
Although my time spent on the placement was not what I had first envisaged it, I did a great deal a learnt a lot about the things that go on behind the scenes of an art gallery. One of the main things I requested from the placement was more of an overview of how a gallery works, instead of just one position. I hoped that this would give me the opportunity to see a variety of roles and how an artist may fit into the environment.
On arrival on my first day, I was first given a talk about the art gallery, a brief history and a chance to look around their current exhibition, ‘Sound Matters’, to help me get a feel for what the gallery stands for, bringing art to the public eye. The exhibition was based on the connection between sound and the visual arts with a variety of pieces, and although I found it a little hard to grasp at times, because I had not seen an exhibition like this before, it made me think about my work. Sometimes as students we lock ourselves into our little university world and do not get the opportunity to see what others are doing. I feel it was extremely useful as a reminder of how open the arts are. We, as students always compartmentalise our work, but many artists and designers are a lot freer in the way they think and work. In relation to practice, I think that means that I need to be a great deal less forceful in the direction of the project, allow it to flow more. I need to question my work more and go into more depth and detail in order to produce patterns and pieces which are informed and tell a story, a progression.
There were discussions over a new set of three exhibitions based on a connecting of fine art and craft, looking to explore the boundaries and connect the two concepts through a range of artists’ works. In the discussion process, it becomes difficult to decide which artist’s works to exhibit as because the space is so limited, we are limited to the amount of work. One of the main difficulties with this exhibition is that while researching artists, from their personal artist statement it suggests that they are interested in experimenting with materiality, but their work does not display this passion. To be displayed in the gallery an artist’s work must connect, visually and textually. This allows them to fully explain their reasons behind creating the work, even to member of the public, who do not necessarily have a lot of knowledge in terms of artist context. These exhibitions will be taking place next year, as everything needs to be planned and explored thoroughly in advance. This has shown me the importance of putting yourself out there and creating an online presence as an artist is important. But everything that is posted or displayed by me must reflect the way I think and work.
Whilst on placement, I also completed a great deal of ‘office’ work, which involved a lot of phone calls and gaining contacts. Sitting in the office for a couple of hours did make me think that in the real world, creating designs and experimenting is not everything. Even if you are a successful art gallery you need to advertise yourself. Designing is only half the battle, it’s getting noticed and selling that’s the rest. This is why places like galleries exist, as a platform for the public and art lovers to view and buy artwork. In relation to textile design and pattern creation, this points out the importance of trade shows in recognising new talent, and has perhaps made me think that I need to make the effort to attend more of these valuable and often free sources of contacts and visual inspiration.
I was also involved in a large research task which was based on showing the government the importance of the craft industry for society. This was an important task which I loved researching and talking through with the director Alison. I have really missed the textual side of the way I work. I must play to my strengths and one of these is my writing, so my blog is a must as a way of to collating my project thoughts and research together with the visual side of things.
I was involved in the discussions of the setup of this exhibition, which mainly consists of jewellery. This is a hard thing for the gallery to display because it is just one large open space. On top of this we have to display the work in a way which is appealing, showing off the work to its full potential. We chose the colours pink and grey as accent colours for the exhibition to tie everything together and to highlight the main pieces of the exhibition. I enjoyed this part of the placement a lot. Sitting and doing research all the time is not something I enjoy, I am definitely a mover. It was good to get stuck in and find out the importance of the display of artwork and how that affects the way it is viewed.
This placement has affected my work a little, but I feel it will be more useful in the future of my work, next year. As I completed the work placement towards the middle of BA6, everything I learnt is hard to put into action straight away. I have used my blog as effectively as I can to put my written skill to best use and I hope to employ the skill I have learnt to my dissertation in my third year. I have also realised the importance of the presentation of my work. Looking at the gallery exhibitions has made me re-think how I develop my work, and there is evidence of this in the progression out of my sketchbook. Moving out of the sketchbook onto boards has allowed me to experiment further and focus my ideas and the progression further.
I enjoyed my work placement at Smiths Row and learnt a great deal about what goes on behind the scenes at an established art gallery. Although I am glad of the experience, I do not think it will be a part of the design industry that I will be joining because of all of the computer based work. I like the mix between the research and design, but I am glad that I have found this out now. Having said that, I have experienced a great deal which can help with my work in the future.

Following this placement, I would like to complete another placement to gauge more understanding of different areas of the design industry. Whilst in conversation with the gallery manager, she mentioned an interior design business in Norwich who would be really willing to take people on for placements. Design House Norwich is a specialist furniture and design shop in the heart of the city centre aimed at high end interior design based around client’s needs. I would very much like to contact this business to secure a placement with them, to gauge a different area of the design world.

Working With The Curator

During my placement today I was placed with the curator at Smiths Row. I was helping her to create a project plan for the two new exhibitions coming up at Smiths Row, and really got to see the amount of work that goes into the small exhibitions.

Here is some of the work we completed...

Overview
’To Start A Conversation’ will explore the physical properties and potentiality pf printmaking through the work of seven artists with the intention of extending perceptions of contemporary practice.
Distinctly different in their use of medium, articulation, form and scale, the selected artists are representative of a current trend in experimentation and forging of new directions within the medium. The artists have shared interest in playing with the boundary between two and three dimentiality, to explore the sculptural and structural qualities and potential of printmaking.
 The exhibition will feature new commissions; a site-specific installation by installation Katy Binks and series of risograph editions, as well as an off-site project by Adam Bridgland, which responds to historical/ Bury St Edmunds.

Artist

Work Agreed
Contract Issued
Transport Negotiated
Sarah Bridgland




Katy Binks




Tim Philips




Sophie Smallhorn




Katsu Yusa




Fiona Hepburn




Adam Bridgland




Budget
Fees
Adam Bridgland Co-Curator Fee


£1000
Artist Fees (6x 150)


£900
Production
Adam Bridgland off-site production costs


£250
Katy Binks Installation production Costs
£300
Artist accommodation and travel
£200
Installation (technicians, paint, build etc)
£300
Two way transport
£400
Risograph production Costs
£600
Vinyl Text
£100
Resources/ Publications
£50
Misc (packing materials, refreshments for opening etc)
£100
Public Programme
Sarah Bridgland  Workshop Fee and Expenses


£300
Salon Speaker Fees and Expenses
£340
Total
(excl. marketing and print)
£4840






Start Date
End date
Activity or Task
Task Lead
28/04/2014
02/05/2014
Issue contracts to Michael Brenndand-Wood & Adam Bridgland
Smiths Row, Curator
28/04/2014
02/05/2014
Confirm final list of works with M B-W
Smiths Row, Curator
28/04/2014
05/05/2014
Confirm date and speakers for M B-W evening talk and issue contract
Smiths Row, Curator
01/05/2014
30/05/2014
Adam Bridgland to research and develop works for off-site print project
Co-Curator, Adam Bridgland
05/05/2014
09/05/2014
Issue press release for ‘Still Lives’ to national & local media and do follow up phone calls/emails
Smiths Row, Marketing Manager
26/05/2014
30/05/2014
Meet with designer to discuss print design for ‘Still Lives’ exhibition and seasonal leaflet to cover the two exhibitions
Smiths Row, Marketing Manager
02/06/2014
06/06/2014
Confirm off-site locations for print and planting projects
Smiths Row, Curator & Bury in Bloom
09/06/2014

Order banner for ‘Still Lives’
Smiths Row, Marketing Manager
16/06/2014
20/06/2014
Print making materials for ‘Still Lifes’ and seasonal leaflet
Smiths Row, Marketing Manager
23/06/2014
27/06/2014
Katie Binks site visit to prepare installation for ‘To Start a Conversation’
Smiths Row, Curator/Adam Bridgland Co-Curator
23/06/2014
27/06/2014
Confirm final list of works for ‘To Start a Conversation’
Smiths Row, Curator/Adam Bridgland Co-Curator
23/06/2014
27/06/2014
Confirm dates and speaker for ‘To Start a Conversation’ workshops & events
Smiths Row, Curator/Adam Bridgland Co-Curator
30/06/2014
04/07/2014
Issue contracts to ‘To Start a Conversation’ artists and for workshops and events
Smiths Row, Curator
30/06/2014
04/07/2014
Mail marketing materials for ‘Still Lives’
Smiths Row, Marketing Manager
30/06/2014
04/07/2014
Begin social marketing campaign for ‘Still Lives’
Smiths Row, Marketing Manager
04/07/2014

M B-W to complete planting design (designs to be previewed during exhibition)
Michael Brennand-Wood
07/07/2014
11/07/2014
‘To start a Conversation’ artists to start working on images for risograph editions
Co-Curator, Adam Bridgland
07/07/2014
11/07/2014
Distribute posters for ‘Still Lives’
Smiths Row, Marketing Manager
14/07/2014
18/07/2014
Prep gallery for ‘Still Lives’ installation
Smiths Row, Curator
14/07/2014
18/07/2014
Order interpretation vinyls
Smiths Row, Curator
21/07/2014
25/07/2014
Complete installation of ‘Still Lives’
Smiths Row, Curator
21/07/2014
25/07/2014
Brief investigators
Smiths Row, Curator
21/07/2014
25/07/2014
Issue press releases for ‘To Start a Conversation’ to national & local media and make follow up phone calls/emails
Smiths Row, Marketing Manager
26/07/2014
26/07/2014
‘Still Lives’ preview/launch
Smiths Row, Curator
28/07/2014
01/08/2014
Meet with designer to discuss designs for ‘To Start a Conversation’ marketing materials
Smiths Row, Marketing Manager
02/08/2014

Informal tour of ‘Still Lives’
Smiths Row, Curator
15/08/2014

‘To Start a Conversation’ artists to complete artwork for risograph editions
Co-Curator, Adam Bridgland & ‘To Start a Conservation’ artists
11/08/2014
15/08/2014
Print marketing materials for ‘To Start a Conversation’
Smiths Row, Marketing Manager
11/08/2014

Order banner for ‘To Start a Conversation’
Smiths Row, Marketing Manager
13/08/2014

Evening talk/event for ‘Still Lives’
Smiths Row, Curator
18/08/2014
05/09/2014
Ditto Press edition risograph prints
Co-Curator, Adam Bridgland
23/08/2014

‘Still Lives’ family workshops
Smiths Row, Curator
25/08/2014
29/08/2014
Mail out ‘To Start a Conversation’ marketing materials
Smiths Row, Marketing Manager
25/08/2014
29/08/2014
Begin social marketing campaign for ‘To Start a Conversation’
Smiths Row, Marketing Manager
06/09/2014

‘Still Lives’ closes
Smiths Row, Curator
08/09/2014
12/09/2014
Risograph editions delivered to Smiths Row
Ditto Press
08/09/2014
12/09/2014
Take down and return M B-W works
Smiths Row, Curator
08/09/2014
12/09/2014
Prpe gallery for ‘To start a Conversation’ installation
Smiths Row, Curator
08/09/2014
12/09/2014
Collect works for ‘To start a Conversation’
Smiths Row, Curator
15/09/2014
19/09/2014
Install ‘To Start a Conversation’ and off-site prints
Smiths Row, Curator
15/09/2014
19/09/2014
Brief investigators
Smiths Row, Curator
20/09/2014

‘To Start a Conservation’ preview and launch
Smiths Row, Curator
27/09/2014

Informal exhibition tour
Smiths Row, Curator
01/10/2014

Evening talk/event on contemporary British printmaking
Smiths Row, Curator & Co-Curator Adam Bridgland
25/10/2014

‘To Start a Conservation’ family workshops
Smiths Row, Curator
01/11/2014

‘To Start a Conversation’ closes
Smiths Row, Curator